Eduardo Paolozzi: General Dynamic F.U.N
A new Hayward Gallery Touring exhibition of screen-prints by Eduardo Paolozzi came to the Usher Gallery as part of a national tour. Paolozzi's canny alchemy is vividly apparent in General Dynamic F.U.N, a series of fifty screenprints and photolithographs created between 1965 and 1970. Here Paolozzi employs the technologies of mass-reproduction and gorges on its idols – the household names and familiar faces of consumer advertising, high fashion and Hollywood. The artist's friend and sometime collaborator, J.G. Ballard, described General Dynamic F.U.N as a 'unique guidebook to the electric garden of our minds'. The prints, which bear idiosyncratic titles such as Totems and Taboos of the Nine-to-Five Day; Twenty Traumatic Twinges and Cary Grant as a Male War Bride, do not occupy a rigid sequence but can be assembled and viewed in any order. For Paolozzi, the modern age, exposed as ephemera, is a necessarily fragmented collision of visual stimulus and influence, and his work is a 'health warning for an uncreative and thriftless society'.